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    <title>Jazz Harmony on Interactive Chord Finder</title>
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      <title>The ii–V–I Progression in Jazz: Theory and Application</title>
      <link>https://interactivechordfinder.com/articles/2026032501-ii-v-i-progression-jazz-theory-application/</link>
      <pubDate>Wed, 25 Mar 2026 09:00:00 +0000</pubDate>
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      <description>&lt;p&gt;If you learn one thing about jazz harmony, make it this: &lt;strong&gt;ii–V–I&lt;/strong&gt;. This three-chord progression is the backbone of jazz. It appears in nearly every standard, often multiple times within a single tune, and understanding it unlocks the logic behind hundreds of songs that might otherwise seem harmonically complex.&lt;/p&gt;&#xA;&lt;h2 id=&#34;what-is-a-iivi&#34;&gt;What Is a ii–V–I?&lt;/h2&gt;&#xA;&lt;p&gt;The Roman numerals refer to &lt;a href=&#34;https://interactivechordfinder.com/articles/2026021503-diatonic-chords-beginners-guide/&#34;&gt;diatonic chords&lt;/a&gt; built on the second, fifth, and first degrees of a major scale. In jazz, these chords are almost always played as &lt;a href=&#34;https://interactivechordfinder.com/articles/2026021505-seventh-chords-complete-guide/&#34;&gt;seventh chords&lt;/a&gt;.&lt;/p&gt;</description>
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      <title>Extended Chords and Jazz Harmony: 9ths, 11ths, and 13ths</title>
      <link>https://interactivechordfinder.com/articles/2026021507-extended-chords-jazz-harmony/</link>
      <pubDate>Sun, 15 Feb 2026 10:00:00 +0000</pubDate>
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      <description>&lt;p&gt;Once you are comfortable with seventh chords, the next frontier is &lt;strong&gt;extended chords&lt;/strong&gt; — 9ths, 11ths, and 13ths. These are the sounds that define jazz, neo-soul, R&amp;amp;B, gospel, and lo-fi hip hop. They add richness, complexity, and emotional depth that simple triads and seventh chords cannot achieve on their own.&lt;/p&gt;&#xA;&lt;p&gt;This guide explains how extended chords are built, the most common types, and how musicians actually voice and use them in practice.&lt;/p&gt;</description>
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